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Ralph Breaks the Internet continued to lead the competition at the box office this weekend, while Creed II surpassed the domestic total of Rocky Balboa. Typically, the Thanksgiving window was jam-packed with several movies looking to make a splash over the holidays. Some of these projects, like the latest Robin Hood retelling, crashed and burned, but others had very lucrative weekends. Ralph and Creed were two sequels that outperformed their predecessors, riding waves of positive buzz and capitalizing on brand interest.

There's usually a bit of a slowdown at the multiplex between Thanksgiving and Christmas, as the first couple of weekends following Turkey Day primarily consist of lower-profile offerings that are just filling a void until the bigger holiday movies come out. That was certainly the case this weekend, and the top of the charts was dominated by the holdovers.
According to Box Office Mojo, Ralph Breaks the Internet earned $25.7 million domestically in its second weekend, a 54.2 percent decrease from its debut. The animated film is now up to $119.2 million domestically, ahead of the pace of the original (which grossed $101 million through 12 days). The other noteworthy box office development was Creed II raising its Stateside haul to $81.1 million, moving it past Rocky Balboa ($70.2 million) on the all-time franchise chart. It'll pass Rocky II shortly and then set its sights on the first Creed.

This weekend saw only one new wide release, horror film The Possession of Hannah Grace. That movie came to theaters with very limited fan fare, so it didn't leave much of an impression at the box office. During its first three days, it earned $6.5 million, which was good enough for seventh place. Fortunately for Sony/Screen Gems, Hannah Grace sported a micro budget of $9.5 million and has already made $10.6 million worldwide. It Satellite TV • Cinema

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Doctor Sleep Director Reveals Shining Sequel Has Wrapped Production

Doctor Sleep director Mike Flanagan shares that his adaptation of Stephen King's sequel to The Shining has officially wrapped production. In the realm of horror fiction, few names carry with them the reputation for greatness as Stephen King. While every one of the prolific author's many stories might not hit it out of the park, King's endlessly creative mind has birthed some of the best horror in history, including tales like IT, The Stand, Pet Sematary, and of course, The Shining.

While King has never been a big fan of director Stanley Kubrick's 1980 film adaptation of The Shining starring Jack Nicholson, the masses have always disagreed, with Kubrick's Shining often being cited as perhaps the greatest horror movie ever. Doctor Sleep, King's 2013 sequel novel to The Shining, doesn't match the original when it comes to acclaim, but the book earned mostly good reviews from fans and critics. Now, Haunting of Hill House creator/director Mike Flanagan is set to bring an adaptation of Doctor Sleep to the big screen, one which will hopefully prove a worthy companion piece to Kubrick's classic film.
Production on Flanagan's Doctor Sleep began back in September, and now, the director confirms via a recent Facebook post that the film has finished production. Interestingly, the producers involved had been trying to get a Doctor Sleep movie made for several years following the book's release, but were unable to get a greenlight from Warner Bros. until after IT came out last year and made $700 million at the box office. Maybe the delay worked out though, as Flanagan's resume in horror - Absentia, Oculus, Hush, etc. - makes him a great pick for the job. Check out his post below.
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This won't be Flanagan's first time directing a King adaptation either, having helmed last year's acclaimed Netflix original movie version of Gerald's Game, a King story Hollywood had for decades believed to be unfilmable, Flanagan proved those beliefs wrong, and got a knockout performance out of lead actress Carla Gugino, who returned for Haunting of Hill House. Another Gerald's Game star, Bruce Greenwood, will play Dr. John Dalton in Doctor Sleep, continuing Flanagan's penchant for sticking with actors he likes. It's Flanagan's first time working with Ewan McGregor though, who stars in Doctor Sleep as an adult Danny Torrance.

While Doctor Sleep - both the book and film - are indeed Satellite TV • Cinema

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Crazy Rich Asians Bombs at China Box Office, Opening to $1.2 Million

Crazy Rich Asians debuted in China this weekend, and promptly bombed at the box office. While the movie was a runaway hit in the U.S., grossing $173 million domestically, it has failed to translate that success abroad, earning only $64 million from international markets.

The highest grossing rom-com of the year, Crazy Rich Asians, based on the book of the same name by Kevin Kwan, tells the story of a Chinese-American woman (Constance Wu) who travels with her boyfriend (Henry Golding) to Singapore, where she discovers she’s unwittingly been dating the heir to an incredibly wealthy family and one of Asia’s most eligible bachelors.

Related: Crazy Rich Asians' Michelle Yeoh & Awkwafina Reunite For Action Film

Unfortunately, while Crazy Rich Asians was a smash success in America, the film earned a mere $1.2 million during its first weekend in China. Exhibitor Relations was the first to report the official box office numbers, but there had been much speculation about the film’s chance of success in China leading up to its release. Some industry prognosticators predicted that the level of success the movie achieved in America would be unlikely in the Asian market, for exactly the same reasons it smashed records domestically. While a film with an entirely Asian cast is refreshing and groundbreaking in the U.S., it’s not at all unusual in China, where almost all feature films include completely Asian casts.

The timing of the film’s Chinese release also likely played a part in its disappointing debut. Crazy Rich Asians was released on August 15 in the U.S. and garnered much buzz, but by its November 30 release in China, that buzz had significantly died down. The large gap in release dates also meant that most Chinese moviegoers who were interested in seeing the film were probably able to watch it online through legally dubious means before it came to theaters in their Satellite TV • Cinema

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